Drawing Features And Faces: How To Draw Portraits For Beginners, by Sally and Eva
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- Pages
- 365
- File size
- 15.6 MB
- Format
- Digital PDF
- Course
- Art
- Category
- eBook[PDF]
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About this ebook
Drawing Features And Faces: How To Draw Portraits For Beginners is an instructional art book created by self-taught artists Sally and Eva. It acts as a comprehensive, beginner-friendly guide to mastering the fundamentals of portraiture with nothing more than paper and pencils. [1]
Core Focus & Book Overview
The book is structured specifically for people with little to no prior experience who want to learn how to draw proportionate, realistic front-face portraits. Instead of diving straight into complex rendering, Sally and Eva break down the overwhelming process of human anatomy into manageable, step-by-step milestones. [1]
Key areas covered in the book include:
- Essential Tool Selection: A guide to the right types of graphite pencils, erasers, and blending paper needed to start.
- Proportional Grids: Step-by-step structural guidelines to ensure facial features line up symmetrically and naturally.
- Feature Demos: Dedicated breakdown tutorials focusing entirely on individual elements—the eyes, lips, nose, and ears.
- Hair & Shading: Techniques to step away from flat drawings by learning how to render hair texture and implement 3-dimensional shading. [1]
Step-by-Step Portrait Blueprint (Sally & Eva Methodology)
The structured method used in the book guides beginners from a blank page to a finished face: [1]
[ Step 1: Base Circle ] ───► [ Step 2: Spatial Grid ] ───► [ Step 3: Feature Outlines ]
│
[ Step 6: Hair & Depth ] ◄─── [ Step 5: Smooth Shading ] ◄───────────┘
1. Establishing the Structural Base
Every portrait begins with simple geometric shapes. You start by sketching a perfect circle to represent the cranium. From there, draw a vertical line straight down the middle to serve as the line of symmetry, establishing balance for the left and right sides of the face. [1, 2, 3, 4]
2. Mapping the Proportions
A front-facing head is typically divided into thirds: [1]
- The Eye Line: Positioned precisely halfway down the overall length of the head.
- The Bottom Layout: The space from the eyebrows to the chin is partitioned into equal sections to pinpoint the base of the nose and the split of the mouth.
- The Jaw: Lines drop down from the edges of your initial circle, tapering smoothly into the chin. [1, 2, 3, 4]
3. Shaping Individual Features
Once the grid is established, you can anchor the features using light, straight angular strokes before rounding them out into smooth curves: [1]
- Eyes: Spaced roughly "one eye-width" apart from each other across the horizontal guideline.
- Nose: Drawn as a soft U-shape or a small circle, with its outer nostrils aligning vertically with the inner corners of the eyes.
- Mouth: Placed centrally between the nose and chin, utilizing a "Cupid's bow" shape for the upper lip. [1, 2]
4. Shading & Building Form
To turn a flat sketch into a 3D portrait, Sally and Eva emphasize smooth tonal transitions. Use a soft pencil (such as a 4B) to darken cast shadows—particularly under the eyebrows, beneath the tip of the nose, and under the lower lip. Blend these values smoothly using a blending stump or tissue, making sure to leave the highest points (like the pupils and the tip of the nose) pure white to capture light. [1, 2, 3, 4]
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