A History of Western Music 10th International Student Edition By Burkholder, J. Peter Grout

14th-Century French and Italian Music: Ars Nova ars subtilior and secular polyphony (Guillaume de Machaut Francesco Landini) 9780393668193 Between the World Wars: Neoclassicism experimentalism and political/social music (Bartók Copland Shostakovich) Instrumental Music and Late Renaissance Styles: Rise of idiom-specific instruments and consort music Into the 21st Century: Contemporary classical directions vernacular crossovers and the integration of popular styles like hip-hop Invention of the Renaissance Style: English and Burgundian influences (John Dunstable) Late Romanticism: Nationalism Brahms Tchaikovsky and turn-of-the-century symphonic traditions (Mahler Strauss) Mid-18th-Century Transition: The galant style empfindsamer Stil and early symphony (Gluck C.P.E. Bach) Modernism and the Avant-Garde (Pre-WWI): Impressionism (Debussy) early modernism (Stravinsky Schoenberg's atonality) Music in Antiquity: Ancient Greece Rome and early foundational theories New Currents in the 16th Century: The Reformation Counter-Reformation (Palestrina) and the madrigal (Monteverdi Gesualdo) Post-1945 Developments: Serialism electronic music minimalism (Reich Glass) and postmodern eclecticism Revolution and Romanticism: Beethoven as the bridge and titan of romantic ideals Romanesque and Gothic Music: The rise of polyphony organum and the Notre Dame school Romanticism in the Early 19th Century: Art song (Lied) character piano pieces (Schubert Schumann Chopin Mendelssohn) Romanticism in the Mid-19th Century: Opera (Verdi Wagner) and programmatic orchestral music (Berlioz Liszt) The Age of Ockeghem and Josquin: Late 15th- and early 16th-century sacred and secular styles (Josquin des Prez) The Ancient and Medieval Worlds The Baroque Era The Christian Church in the Early Middle Ages: Chant liturgy and the spread of plainchant The Classical Era The Late 18th Century: Haydn Mozart and the formal crystallization of the classical style (sonata form string quartet classical opera) The Late Baroque: High-baroque synthesis in the works of J.S. Bach George Frideric Handel and Antonio Vivaldi The Mid-Baroque: Expansion of cantata oratorio and instrumental genres The New Style of the Early 17th Century: Invention of opera (Monteverdi Florentine Camerata) and early monody The Nineteenth Century The Renaissance The Twentieth Century and Beyond